I will admit that in almost every case, I will overlook poetry in favor of prose. There are, however, a couple of poets I keep an eye on. One, who I refer to on the blog fairly regularly, is my good friend Ashley Capes. The other is James Hutchings, another Australian poet. Hutchings usually writes
Shakespeare very likely asked this question as well–though I’m sure he did it with more eloquence.
Lisa Cron wrote a fantastic blog post on Writer Unboxed, outlining three oft-preached and just as oft-misapplied ‘rules’ that can derail an otherwise brilliantly executed story.
Last year I had occasion to read a batch of ten page manuscript submissions in a hurry, one right after the other. What I noticed was startling in its consistency.
All of the writers had clearly spent time learning their craft. All of them had something to say. And all of them, by meticulously following what they’d been taught, had rendered their stories mute in the exact same way.
It was heartbreaking, given the talent in the room.
In this post, I’ll instruct you on how to write a haiku. Just kidding. My poetry sucks. My friend Ashley Capes, on the other hand, is a fantastic poet. I’ve mentioned my feelings on the connection between poetry and prose, and how I feel a working knowledge of one can improve the other. Ashley has just
Tomorrow is August 26th, which will mark exactly two months from the day I finished my second draft of Chaos. Instead of diving right into draft 3, as I intended, I had a number of non-writing-related projects fall into my lap over the summer. While I’m not usually happy about having very little time to write,
One of my bestest writing buddies, Ashley Capes (a beta reader for Chaos, and a fantastic writer & poet) has a post on his blog titled Suggestiveness and Clarity in Poetry. I’m a big proponent of studying poetry, even if you’re strictly a prose writer (as I am). Even if you’re not going for poetic prose, poetry can