Ashley Capes, a good friend and writing buddy, has recently launched Close Up Editing & Assessment, a service for fiction and poetry writers. Whether you’re looking for overall manuscript assessment, line-editing, or proofreading, he and his wife Brooke Linford have numerous editing, writing, teaching, and publication credits between them that they can put to use helping you get your work into the best possible shape.
I’ve been in a writing group with Ashley for nearly a year, and it’s been brilliant having access to his insight and technical knowledge. He has an excellent grasp of story structure, character, and an ear for prose that has helped me hone and tweak my second draft far beyond what I believe I would have been able to achieve alone. Read more
That is one hefty stack of paper. I’ve heard some writers say they prefer editing a hard copy of their manuscript, so on a whim I thought I’d give it a try.
Wow, did I underestimate what that would entail.
After blowing through one brand new ink cartridge on my printer, and draining most of a second, I chickened out and settled for just printing out Chapters 5-15.Yeah, that’s not the whole thing. It’s roughly 65,000 words–less than half of the total length. And I’m not even finished yet! I still have a few holes to plug, and I’m guessing I’ll have around 170,000 words once I’ve done. Read more
This is a post about writing, I promise.
Since I write fantasy, I know a lot about killing tension. Fantasy and other spec-fic writers have a ton of information and backstory to convey, and more often than not this results in the story coming to a screeching halt. Epic fantasy, in particular, tends toward long, drawn-out ‘saggy bits’ that can try even the most patient reader’s tolerance.
So, as I wrestle over my own cartload of infodumpery, I’ve been trying to figure out the solution. Read more