CJ Jessop, one of my writer besties, tagged me in a recent post on her blog, and seeing as I’ve been neglecting my blog in the most dreadful way, I thought I’d give it a go. CJ is inspiring not one but TWO blog posts, as she’s just published a collection of her short fiction, which I’m quite excited about. We’ll get to that in my next post, but for now….
I will admit that in almost every case, I will overlook poetry in favor of prose. There are, however, a couple of poets I keep an eye on. One, who I refer to on the blog fairly regularly, is my good friend Ashley Capes. The other is James Hutchings, another Australian poet. Hutchings usually writes
Shakespeare very likely asked this question as well–though I’m sure he did it with more eloquence.
Lisa Cron wrote a fantastic blog post on Writer Unboxed, outlining three oft-preached and just as oft-misapplied ‘rules’ that can derail an otherwise brilliantly executed story.
Last year I had occasion to read a batch of ten page manuscript submissions in a hurry, one right after the other. What I noticed was startling in its consistency.
All of the writers had clearly spent time learning their craft. All of them had something to say. And all of them, by meticulously following what they’d been taught, had rendered their stories mute in the exact same way.
It was heartbreaking, given the talent in the room.
In this post, I’ll instruct you on how to write a haiku. Just kidding. My poetry sucks. My friend Ashley Capes, on the other hand, is a fantastic poet. I’ve mentioned my feelings on the connection between poetry and prose, and how I feel a working knowledge of one can improve the other. Ashley has just
Tomorrow is August 26th, which will mark exactly two months from the day I finished my second draft of Chaos. Instead of diving right into draft 3, as I intended, I had a number of non-writing-related projects fall into my lap over the summer. While I’m not usually happy about having very little time to write,
Ashley Capes, a good friend and writing buddy, has recently launched Close Up Editing & Assessment, a service for fiction and poetry writers. Whether you’re looking for overall manuscript assessment, line-editing, or proofreading, he and his wife Brooke Linford have numerous editing, writing, teaching, and publication credits between them that they can put to use helping you get your work into the best possible shape.
I’ve been in a writing group with Ashley for nearly a year, and it’s been brilliant having access to his insight and technical knowledge. He has an excellent grasp of story structure, character, and an ear for prose that has helped me hone and tweak my second draft far beyond what I believe I would have been able to achieve alone.
Tess Grantham, a member of my writing group, Alchemy, has a brilliant post on her blog titled “The Power of Doubt”–how it hinders us as writers, and how it pushes us to become better. …Doubt is the improver in baker’s flour. It’s the magic ingredient in Grandma’s secret steak and kidney pie recipe. It’s the
CJ Jessop, an awesome writer (whose first novel I had a blast beta reading) and a member of my crit group, Alchemy, posted a 300-word short story on her blog in response to a writing challenge. The story could be on any topic, but had to contain the words SWAN, FUCHSIA, PARANOID, SMOTHER, SCREEN, and BODY.